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	  <h4>    用最短的句子，写最深的情</h4>
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    <div class="blog-item"> <img class="single_image" src="images/正冈子规.png" width="280" height="180" alt="blog1" />
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        <h2>正冈子规</h2>
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        <p>正冈子规 是日本歌人、俳人。本名常规，别号獭祭书屋主人、竹之乡下人。日本明治时代著名诗人、散文家。主要致力于研究和革新俳句、短歌等传统文学形式，提倡创作写实的、具有绘画性的、印象性的俳句，同时也进行一些启蒙性的评论活动。创办俳句诗人组织“松风会”，并于1897年参加创办《杜鹃》杂志，同高浜虚子、河东碧梧桐、夏目漱石等诗人和作家一起，全力支持该杂志，使《杜鹃》大有一统整个俳句诗坛之势，对后世产生很大影响。</p>
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		 <h2>夏目漱石</h2>
        <p>夏目漱石亲历英国文学，受西方文学影响很深，亦屡屡在文著中彰显其卓越的汉文修养。崇尚与谢芜村俳句中的江户情调，耳濡目染荻生徂徕的“汉化”之精髓，出生在明治维新后举国学习西方之大背景下，响应国家的号召引进西学，无论是主动地还是被动的，这对于自幼熟知唐宋诗文的夏目漱石无疑是矛盾的。这点亦可从夏目漱石的汉诗文中窥得一清二楚。</p>
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		  <h2>种田山头火</h2>
        <p>种田山头火出生于山口县的大地主家庭，以优异的成绩考上了早稻田大学，在那接触了外国文学。其俳句新鲜活泼、开阔舒展，读罢使人感觉像在久居斗室之后突然看见了碧蓝的大海。后人形容他的俳句是小巧的稀世珍玩，一章一句一乾坤，流水落花皆文章，句句皆有春的芬芳。</p>
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